狂野目标

狂野目标 (2010)

7.4

2010 / 英国 法国 / 喜剧 动作 犯罪 / 乔纳森·林恩 / 比尔·奈伊 艾米莉·布朗特

英语作业搬运～

Victor Maynard is a top professional killer who is about to retire and experiencing a midlife crisis. He is 54 years old but still single, and he leads a monotonous life. His mother has been pushing him to find a woman to carry on the family line so that the killer gene runs in the family’s blood.

As a number one professional killer, he has strong work ability and professionalism. He easily made two missions in the first three minutes of the film. The night he checked into the hotel, Victor loaded the gun, set up the small space for his vigil, and instantly went into full alert. Victor looks boring and seems a little obsessive: drinks and condiments are placed in the middle of the table, the furniture is covered in plastic, and the smell of disinfectant fills his house.

The ruthless killer also has a tender side to him. When Victor saw a cat, he shed maturity and transformed him into a cute slave of the cat.

Once Victor was employed by a gang boss to kill Rose who is an occupational cheater and sold a forgery, which should be completed smoothly as previous each mission, but during the action he and Rose gave birth to sincere feeling, and in the critical moment, Victor not only let go her but began to protect her.During the action, Victor's monotonous lifestyle begins to change, and because of Rose's troublemaking nature, his routine is broken over again and again, from yelling at her, to reluctantly forgiving her, and finally falling into her clutches. Until the night of his birthday, Victor put down his guard and stereotypes, threw away the wine glass and cake, put on funny hats and danced comically with Rose and Tony. After that day, he removed the plastic from the furniture and began to decorate the room with colorful garniture.

At the end of the film, when he was on the verge of being killed, he unhurriedly said to Rose, "I missed you, too". His image comes alive and he becomes a wild man.

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众所不周知，我爱动作枪战片一如我爱饮汤。倘若失去它们，啧，无异于要我性命。

粗暴而简单，我对杀手的固有认知不过来源于以下几位男士：汤姆·克鲁斯那细而薄的唇叶、与几十年未变一如当初《夜访吸血鬼》中的漂亮脸；颇具流离况味、但也因此种流离而生出脆弱感的杀手马特·达蒙；嗓音犹如暗夜呓语、却有身形笨重扎实打的连姆·尼森；以及身着昂贵三件套、轻巧拎一把英伦雨伞实则暗蓄致命机关的科林·费斯。

非常肤浅，但胜在劲道。

因此，当我打开《狂野目标》的那一刻时我是不敢置信的：稀疏中分发，八字小胡子，瘦而微岣的身形，渐呈灰白的眉，以及四周聚拢着的皱纹 就，杀手……？

免不得把进度条往后拉了拉。

只见短短五分半钟内，此人戴着黑色方框墨镜，跨越过横陈大门的尸首，拎走装满钱的手袋，并且目前为止只出现过他这一个男人——如果说观众看到此处仍不能确认这人是否就是男主角，但当我看到比尔·奈伊这张脸时就确信了。比尔·奈伊不演主角，谁演？

杀手看似冷血，却也需以欲望为底色，即嗜血的欲望。但比尔·奈伊那清教徒一般的脸上让人看不见丝毫欲望。我不禁要想，这样的人要怎么杀人，又怎么才能杀得好看？就冲这一点，这部电影势必需要看下去了。

维克多，伦敦最顶级的杀手，被委托去干掉售卖假画的贼，一位名唤玫瑰的女人。

没有嗜血欲望的杀手靠什么杀人？——维克多告诉你，靠身为杀手的专业性，即纯然的理性；简而言之就是脑子，而非肾上腺素。

于是，他一路尾随玫瑰，数次举枪瞄准，只为找到绝佳时机干掉她。但玫瑰天生有好运气，数度躲过维克多的枪口，甚至还躲过了一个夜晚：这厢，她同旅馆的某位男士欢爱，那厢，维克多监听房间内动静，甚至在萦绕着的喘息声中兀自摆了一局国际象棋来下！

讲真，如此清洁的杀手，除却比尔·奈伊，第二人真演不来。

隔天清晨，玫瑰醒来。是的，他的猎物醒来，他可以动手了。

于是他架起狙击枪，手微扣扳机，注视着他的猎物走过街角，并缓缓对准玫瑰的头颅。玫瑰步履好似有风，却在辗转过他人餐桌旁时不忘伸手顺了一杯果汁来喝；指尖顺势一勾，便轻巧勾来一朵粉色雏菊，再用鼻尖嗅了嗅。而后，她若无其事走开。

那一刻，他豁然一笑，眉心柔和一展。就这样，他放下了狙击枪。

让人心软，只需一个关于爱欲的念头。很显然，不在计划内的这个瞬间，成功地让长着一张清教徒脸的杀手维克多有了爱欲。从此，他背离了神的旨意——那个要求他必需冷酷的来自杀手世界的旨意，并且动了凡心。

玫瑰是猎物，而他身为捕猎者却主动放走了猎物。不意外，他与玫瑰开始了逃亡之旅。

但玫瑰天性恣肆，又俏又欠，搁寻常人早得取她头颅，偏偏清冷如维克多，能够一再容她。

呵，他怎可能不容她？她是他生命中的一场例外，是无人岛上一场突如其来的烟花，是一支冷枪下幸存的玫瑰，却意外地令到他清教徒般压抑的脸上有了笑，懂了笑，也引动了爱欲。

凡心无过。维克托看似孤僻而无趣，原不过是在爱欲层面的过分生疏与笨拙；一个人从未释放过自身的香气，并不意味着他内部没有一座花园。何况，维克多的这座花园还是薄荷味儿的，怎能叫人不爱上呢？

在我看来，有人味儿的杀手才是一名合格的杀手。维克托这名杀手起初并不合格，但后来，我庆幸他有了玫瑰。

*本篇图片均来源网络。若有侵权，请联系删除

动作爽片，冲突还行，剧情俗的要死。但镜头真是给力，通篇都给人很舒服的观感。

查一查，原来导演是 是，大臣 和 是，首相 系列导演，老工匠了，干活就是细致。

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当财富充裕到一定境界，似乎就不会有任何实质的困难？

而努力奋斗，遵从规则，想要爬到顶端的人，却被顶端的人狠狠玩弄。

从主角角度来看，这是一出剧本烂大街的动作喜剧；但是要把其它配角拉进来，可能还是有些黑色幽默的？（我真能瞎扯